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The Rebranding Summit is in its third year now and was developed by Bilal Rahim.

Rahim is the founder/president of Our Black Fathers Committee, which focuses on rebuilding the black community by being a viable resource for education, job training, mentorship, and more.

All of our hair removal methods are excellent for sensitive skin and for those who prefer a more natural and quick form of hair removal. I service both the east and west valley of Metropolitan Phoenix. 46th St #160 Phoenix AZ 85048 (480) 227-9231 - (visit website) Law Office of Joshua Black PLC - Category: Legal -- Joshua is a civil litigator who focuses his practice on employment litigation and appeals.

It will also feature guest speakers: Ghazi Muhammad, Arron Carson, Gill Bivens, Rochelle Candler, Margot Biskey, and Maritza Miranda Saenz.

This event was designed to equip valley residents with increased knowledge in the areas of: Real Estate, Business, music, health, and more.

"You'll hear testimonies from locals who have faced trial and hardship but have managed to rebrand themselves as an individual and remain successful in other fields and careers," said Bilal Rahim.

Ownership: From the estate of Jenifer Gordon (Cosgriff), friend of Clement Greenberg (influential visual art critic most closely associated with American Modern art of the mid-20th century) and Hazel Guggenheim Mc Kinley (mid-20th century modern artist and sister of Peggy Guggenheim) was in possession of various notable and listed art from the modern art movement during the same period, including an authenticated Kenneth Noland, Jules Olitski, Cora Kelley Ward, David Porter, John Charles Ford, Louis Siegriest, Isamu Noguchi and this Pollock. Artist: Jackson Pollock (1912-1956) Title: Untitled Gouache Subject: Abstract composition in the style of Abstract Expressionism Medium: Mixed, enamel and water based paints Support: Paper glued to Masonite Dimensions: 22 ½ x 32 inches Markings, date, signature: None Pre-Sale Estimate: ,000,000 – ,000,000 Forensic Report: Peter Paul Biro (Forensic Studies in Art) “…

the dating of the painting to the mid twentieth century is well established as no pigments or binding media introduced in the late 1950s and 1960s have been detected.

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